46,240 Free Images of Colored Postcards

etchings in the yale center for british artetchinghand-coloredyale center for british artisaac cruikshankjames gillrayrichard newton
False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats, Isaac Cruikshank, 1793
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The Maid of Bath, or 'Mac' in her Teens, Isaac Cruikshank, 1792
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Corpor(e)al (!) Stamina., James Gillray, 1801
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Arming in the Defence of the French Princes or the Parting of Hector and Andromache, Richard Newton, 1792
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Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2), James Gillray, 1793
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Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
A Block for the Wigs - or, The New State Whirligig, James Gillray, 1783
etchings in the yale center for british artjames gillray
Prussian Bobadils, Returning to Berlin!!!!!!!, Richard Newton, 1792
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Strong Symptoms of Loyalty, Isaac Cruikshank, 1800
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Whims of the Moment or the Bedford Level!!, Isaac Cruikshank, 1795
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No Reform, No Reform, Isaac Cruikshank, 1795
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A Sphere, Projecting against a Plane ---, James Gillray, 1792
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A Shot at a Cock; or, An Alarm of Assassination, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Bloemstuk, RP-P-OB-24.684, Cornelis Ploos van Amstel, 1778
etchings in the rijksmuseum amsterdamcolored etchings
The Cryer, Alias the Bell Weather, Isaac Cruikshank, 1797
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A Deputation from one of the Popular Societies of France, Endeavouring to Persuade John Bull that he can do better Without a Head than with one!!, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
A Specimen of Light Horsemanship, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Bridal-Night, James Gillray, 1797
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Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children, James Gillray, 1782
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The Doctor Indulged with his Favorite Scene ---, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Alessandro Sanquirico - Luogo destinato ai Sepolcri dei re di Danimarca (set design for the opera 'Amleto' by Mercadante, 1822) (cropped), Alessandro Sanquirico, circa 1827
scenographies by alessandro sanquiricoteatro alla scala scenic design
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
How to Gammon the Deep, Ones or the Way to Overturn a Coach Ac(c)ording to Act of P(ar)l(ia)m(en)t (from: Caricature, vol. 4), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
A Visit to the R---l Cole Pit, Richard Newton, 1791
etchings in the yale center for british artrichard newton
The Fruition of Nantes or the Vision Interpreted, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
La Derniere Resource; - or - Van-Buchells, James Gillray, 1791
etchings in the yale center for british artjames gillray
Birds of a Feather, Flock Together - or Bond Street Loungers Attending the Examination of Their Fellow Scarecrows!, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
A Flight of Parsons, Isaac Cruikshank, 1796
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An Astonishing Paragraph, Richard Newton, 1791
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A Brace of Blessings, Isaac Cruikshank, 1796
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Pull Devil - Pull Parson, Richard Newton, 1795
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The Corporation's Visit to their Brother in Smithfield or the Hog's Feast on Being Sworn-in, Isaac Cruikshank, 1790
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The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---, James Gillray, 1795
etchings in the yale center for british artjames gillray
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch, James Gillray, 1783
etchings in the yale center for british artjames gillray
The Sick Prince, James Gillray, 1787
etchings in the yale center for british artjames gillray
The Dwarf and The Giant or, The Strong Lad of Brighton taking off the Princes Chum!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture, Isaac Cruikshank, 1787
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The Antiquities of Malmsbury, Isaac Cruikshank, 1792
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Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square, James Gillray, 1796
etchings in the yale center for british artjames gillray
Preparing for Action or an English Man of War engaging Two Dutch Doggers, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3), Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Rival Pigs, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The - Battle Royal, or Who Wears the Breeches, James Gillray, 1784
etchings in the yale center for british artjames gillray
The Prodigal Son, James Gillray, 1787
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The Slough of Despond----; Vide - The Patriots Progress, James Gillray, 1793
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Reilly Karte von Deutschland, Daniel Friedrich Sotzmann, between 1794 and 1796
daniel friedrich sotzmanngrosser deutscher atlas
Polonius, The Tallest, Fittest, Properest, Man to Walk before the King!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar, James Gillray, 1797
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Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay, Isaac Cruikshank, 1792
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Gloria Mundi, or - The Devil Addressing the Sun, James Gillray, 1782
etchings in the yale center for british artjames gillray
Buonaparte at Rome Giving Audience in State, Isaac Cruikshank, 1797
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The Rape of Helen, Isaac Cruikshank, 1792
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The Finishing Touch, James Gillray, 1791
etchings in the yale center for british artjames gillray
Frith the Madman Hurling Treason at the King, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Getting the Length of the Duchess's Foot, Isaac Cruikshank, 1791
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The Dutch in an Uproar or the Batavian Republic Crying for Winter, Isaac Cruikshank, 1797
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The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput, Isaac Cruikshank, 1800
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Petition Mongers in Full Cry to St. Stephens beware of Wolves in Sheeps Clo(a)thing, Isaac Cruikshank, 1795
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The Legacy, James Gillray, 1786
etchings in the yale center for british artjames gillray
Billy & Harry in Their Glory or a Great Man Kicked Out of Place, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
A Section of a Magnificent & Superb Water Closet ---, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Louis XVI Taking Leave of His Wife and Family, James Gillray, 1793
etchings in the yale center for british artjames gillray
The Dutch Divisions, James Gillray, 1787
etchings in the yale center for british artjames gillray
The Moment of Reflection or a Tale for Future Times!!!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Jack A Both Sides!, James Gillray, 1783
etchings in the yale center for british artjames gillray
Les Trois Magots, James Gillray, 1791
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The Salute, - Vide, The Parade, James Gillray, 1797
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Political Sparring, for the Amusement of English Spanish French and Dutch Masters and Misses (from: Caricature, vol. 4), Isaac Cruikshank, 1790
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The Buck & the Goose, Isaac Cruikshank, 1801
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The Grand-Signior Retiring, James Gillray, 1796
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Oysters. Oysters. I Us'd for to Cry, When the Wind Blew so Hard that my Boat could not Ply, Isaac Cruikshank, 1792
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The Gilpin Whigs Return to Rochester without their Candidate, Isaac Cruikshank, circa 1790
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Pylades & Orestes (Stadtholder & His Secretary), James Gillray, 1797
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A Recent Escape, Isaac Cruikshank, 1795
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The Irish Howl or the Catholics in Fitz!, Isaac Cruikshank, 1795
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Scene Le Vrog House, James Gillray, 1782
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The Introduction, James Gillray, 1791
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Retaliation!!!, Richard Newton, 1797
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Committee of Grievances and Apprehensions, James Gillray, 1792
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French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary, James Gillray, 1799
etchings in the yale center for british artjames gillray
The British Menagerie, Isaac Cruikshank, 1796
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The Treaty of Peace, or Satisfaction for all Parties, Isaac Cruikshank, 1791
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General Buonaparte, Isaac Cruikshank, 1797
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And The' - Tisick, - The Colic, Punch Cures The Gout, James Gillray, 1799
etchings in the yale center for british artjames gillray
Old Hat or a Serious Divertisement as Performed at the Chap(p)el Royal, John Cawse, 1800
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A Serious Thought of a Plain Englishman, in 1793, Richard Newton
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The Triumphant Britons, James Gillray, 1780
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The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform, James Gillray, 1788
etchings in the yale center for british artjames gillray
Gloria Mundi, or The Devil Addressing the Sun, James Gillray, circa 1782
etchings in the yale center for british artjames gillray
Resurection (sic) Men Disturbed, or a Guilty Conscience Needs no Accuser (from: Caricature, vol. 3), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
What a Cur ' tis, James Gillray, 1795
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Beheading (untitled), Richard Newton, 1796
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The Republican - Hercules Defending His Country, James Gillray, 1797
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The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land, James Gillray, 1795
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Retort Courteous or the Disloyal Address returned without Ceremony, Richard Newton, 1797
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The Birth of Billy Bugaboo, Richard Newton, 1793
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Opening the Ambassadors Ball in Paris, Richard Newton, 1794
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A Visit to the Grandfather, How Do Grand Pa?, Richard Newton, 1792
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The Misers Economy, Richard Newton, 1794
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Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1), James Gillray, 1798
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